The Continuing Influence of Taíno Art in the Dominican Republic

This project grew out of my desire to bring together my academic backgrounds in history , art history, and Latin culture while also expanding the scope of art historical study beyond a traditionally Western focus. After spending time in the Dominican Republic, I became especially interested in how cultural identity is preserved and expressed through art. This paper explores the lasting influence of Taíno art on the development of artistic traditions in the Dominican Republic, challenging the assumption that Western styles are the primary foundation of global art. By examining visual art, performance, and contemporary cultural practices, I argue that Taíno aesthetics have remained central to the country’s artistic identity despite the impact of colonization. From post-Taíno visual movements to the rhythms of bachata and the visual language found in markets, museums, and public spaces, this research highlights how indigenous traditions continue to shape artistic expression today. This project was completed with the guidance and support of Dr. Mark Miller, Dr. Earl Mulderink, Dr. Andy Kent-Marvick, and Katie Englert, whose mentorship played an important role in shaping both the research and its direction.